
“Then I turned towards my two rocks asking
If they would stay with me when I am old.
They could not speak yet seemed to say
That they would remain my faithful friends.” |
These lines confess the archetypal expression of the personal
and spiritual affinity felt by the great Tang poet Bai Juyi
(772-846) for rocks. Kemin Hu, author of The Spirit of
Gongshi shares a similar passion for scholars’
rocks and is at the forefront of the study of scholars’
rocks. Kemin was stirred to an appreciation of scholars’
stones by her father, a noted connoisseur of Chinese antiquities.
She became an authority on scholars’ stones through
her long career as a dealer and collector, as well as through
her friendships with such great collectors as Richard Rosenblum
and C.C. Wang.
In China, Chinese Scholars' Rocks or Spirit Stones are called
Gongshi. Naturally formed or "sculptured" stones
in surprising shapes and textures, Gongshi have been
appreciated by Chinese connoisseurs for more than a thousand
years. As early as the Tang dynasty (618-907AD), scholar-officials
and persons of refined tastes began appreciating their unusual
forms by placing smaller sized rare rocks in their studios
for indoor viewing. It was said that a garden could not be
beautiful without such rare rocks, and that a studio lacked
elegance without gongshi. They were also presented as tribute
objects to emperors and were transported to Japan and Korea.
To the Chinese scholars, these rocks represented a focus for
meditation of religious or philosophic principles and served
for contemplation prior to writing poems or painting. Although
most rocks resembled mountain ranges, overhangs and similar
natural wonders of the world around them, there were also
many that reminded the connoisseurs of famous people, animals,
and mythical creatures. Above all, these rocks are admired
for surfaces that suggest great age, forceful profiles that
evoke visions of the majestic nature, overlapping layers or
planes that impart depth, and perforations that create rhythmic,
harmonious patterns.
Display rocks should be hard in material and rich in texture
and ideally their hue and luster should be natural, simple
and pure. The rocks may also seem animated and inspiring;
others manifest artistic conception – an insight or
revelation that provokes thought and captivates the viewer.
It is said that “a rock, though small, will show its
intelligence when it has spirit”. Display rocks may
appear to be in an inactive state or one of inertia. Rocks
with inertia convey serenity and calmness as well as a sense
of strength, while the more animated seem to fly, dance, shout
or jump. Amidst life’s commotion and distractions, it
is for the rock lover to catch the moment.
Gongshi are truly nature’s most ancient artifacts.
In the essay Taihu Rocks, Bai Juyi wrote: “The famous
mountains, the hundred caves and valleys are all presented
by these rocks. Sit there and you can see at a glance a hundred
hills spread over a thousand li in a rock the size of a fist.”
Now, wouldn’t you like to have a piece of calm and serenity in the middle of the Big Apple?